In the last five years, I’ve written six novels, mostly in the literary genre except for my one venture into science fiction. I completed the first draft of my latest novel, a psychological thriller, last September, but I’ve been meandering through the editing process since then. Having spent some time learning more about the craft of writing, I’ve given less emphasis to the speed at which I finish a book and more to the aspects of crafting and re-crafting the story. Many an accomplished writer has acknowledged that writing is mostly re-writing, and nothing could be closer to the truth. As I’m relatively new to the world of novel writing, I’m still crafting my own approach.
I think it’s important to get the story out. Often, when I have a new story idea, I find myself in the throes of passion for the novel and want to get it on the page. I don’t hold back in this honeymoon phase because it’s more important to get the general idea in words than it is to worry about the structure or inconsistencies. These things can be honed later. Re-writing provides ample opportunity to perfect a story. Imagine making a piece of pottery: I want to get the general form in place and then I’ll carefully smooth out the rough parts repeatedly until I get the final, beautiful (hopefully) piece that I originally imagined. A novel is very much like pottery. In the end, no novel is perfect in the author’s view; the goal is to get it to a level approaching perfection that is cognitively acceptable to the writer.
At the base level, re-writing is no fun. It’s like having to write the same sentence repeatedly as a form of punishment (I can’t be the only one who had to do that in school). The process is very slow and often discouraging. Some things simply don’t work the second time around when I re-read my work. I find it helps to have other projects to work on while I’m going through this phase; otherwise, I’m likely to go crazy. During the re-write phase this time around, I’ve banged out my memoir and written countless concepts for potential novel ideas. Sometimes, I find myself working on other writing ideas simply to avoid re-writing.
Despite my internal reluctance, I have made progress on my current novel, and I’m starting to appreciate the approach. Once I finished the first draft, I re-read it a couple of times, and then, I deconstructed the story and realized that I had two parallel story lines in the novel, but one wasn’t fully fleshed out. I’ve spent much of the past few months writing that second story line. I’m almost done with it, and when I am, I’ll have to integrate it into the first draft and do another round of revisions since several inconsistencies have arisen in the story. I think this approach will work for me. I think this will help me set a good pace for the story and end up with a true first draft that has legs.
What hasn’t changed in my approach is the importance of the characters. I have a tendency to fall in love with my characters and become them in many ways. I love stepping into the mind of a character and letting myself wander around. At the end of the day, when my writing is done, the characters take me to where they want to take me. It’s almost surreal. Before I started down this road of writing novels, I didn’t quite understand it when writers said they let the characters decide where to go. I understand now, and it’s true. The characters own the story.
My goal is to finish the second “first” draft of Into the Caldera by the end of June just in time for my first residency at The Fifth Semester in Chicago. This is the story I plan to cultivate during the writing program. I’m excited about its potential. It’s an enthralling story with a strong main character that I hope captivates readers. Only time will tell.