I’m currently reading The Reconstructionist by Nick Arvin. It’s a literary novel about a rather aimless engineer who falls into a job reconstructing car accidents for insurance companies and lawyers as they battle it out in court over fault and blame. The topic itself sounds rather dull, but the novel is really about the interaction between the main character and the other two primary characters in the story, not the job. Thankfully. The novel unfolds slowly with the main character, Ellis, working a new accident scene with his boss, Boggs. Later, Arvin amps up the intrigue by introducing Heather, Boggs wife, and the sad story of Ellis’ half brother. These elements all combine to create an interesting, if not typical, literary novel.
Unlike its brethren and better-selling genres such as romance and thrillers, literary novels are the slow boil of the writing world. They can seem particularly aimless at first blush because they take time to build to the plot, and they can often feel like a Seinfeld episode in the beginning because they appear to be about nothing, but to me, especially since I write in the genre myself, they are the most rewarding novels. That slow boil usually reveals a rich story full of interesting characters, some that become so real to me that I often feel like we’re old friends.
Most of my favorite novels are literary ones because I enjoy stepping into the lives of the characters and getting to know them at a higher level than I do when I read other genres. For thrillers, the plot usually drives the story, and it’s rare that I get to know the characters on the same level I would in a literary novel. There are some exceptions such as Robert Dugoni’s Tracy Crosswhite series. Likewise, science fiction, another favorite of mine, typically focuses on the world building rather than the characters. Thrillers and science fiction novels are certainly enjoyable, but neither quenches my thirst for character development like the literary genre.
Despite my affinity for the genre, I realize that it’s not for everyone. Most readers prefer the fast pace of a thriller or other elements of a story that are prototypical of other genres. I don’t know the exact numbers, but literary lingers on the low end of the reader interest spectrum despite the fact that most classics are literary and most of us had to read them in school. It almost seems like a lost art, but I’d take a literary novel any day over any other genre because watching the characters develop in that slow boil is one of the most rewarding things for me as a reader. Now, excuse me while I go see what Ellis is up to.