At some point when we reach our late 20s, our perspectives harden like freshly-poured concrete forming a sidewalk or a driveway. From there it’s unlikely that our perspective will change much despite evidence that suggests it should. As we get older, confirmation bias stretches its dark tentacles deeper into our brains and squeezes harder making it even more difficult to shift our perspectives. Everything that supports our view of life is acknowledged; everything else is ignored. I imagine there’s an evolutionary reason for this. We keep doing what has kept us alive thus far, and if we’ve made it this far, then we must be doing something right. Right?
As a writer I spend a lot of time observing what’s happening around me, how people are reacting or not reacting to the world around them. I play a game of “What if?” quite often as I’m always thinking about story ideas. I’m inherently a skeptical person, so when I’m presented with rigid dogma or thoughtless conventional “wisdom,” I habitually ask myself “What if the opposite were true?” The most interesting stories often lie at the intersection of two different perspectives, or as I like to muse, two different realities.
When I reached my 40s, I realized something had subtly happened to me over the prior decade, something that had not really dawned on me until it was too late. I had lost touch with the rest of the world in a way I couldn’t explain much like flotsam on the beach gets buffeted by the waves until it is dragged out into the middle of the vast ocean far from any land. Age does that to you. The world belongs to the young, a collective consciousness that surges into the mainstream and spits you out the other side like a remnant of a bygone era. What was once a fresh and engaging perspective becomes tired and worn.
Writing allows me to assume different perspectives, to step into another’s skin and try it on for size. It also forces me to consider what it’s like for someone else in a very real way, not in some superficial attempt at empathy. To make the story authentic, I have to be deeply thoughtful of perspective. How would it feel to be this character? How would this character react to this situation. The opportunity to do this is rewarding in its own right, liberating even. I feel subtle shifts in my own perspective because assuming another’s is so taxing that I cannot help but be affected. Is it possible to break free of our own constraints?
Years ago I moved my family to China for my job. Before I interviewed for the job, I had never been to mainland China. My vision of the nation was exactly what you’d expect from an American, exactly what is displayed on the myopic television news. I imagined staunch Communists parading in the streets in abysmal outfits drooling the party line, but the reality was anything but that. Instead, I found an engaging culture with a rich history bursting at the seams. Sure, there’s the creepy big brother government lurking in the background, but that wasn’t the only thing that defined the nation. My perspective shifted. Being there and putting myself in the shoes of Chinese citizens changed my perspective. The same thing happens when I write.
It is possible to change my perspective in spite of the gravity of confirmation bias. I’ve come to the conclusion that only a fool would go through life and not change his perspective based on new evidence, even if it were anathema to him at another point in time. The world belongs to the young, but even a middle-aged writer can test the waters of something new. It’s all a matter of perspective.