I took last week off from writing, one of several one-week sabbaticals I take during the course of the year. It helps clear my mind and gives me a creative reboot. Since writing is not my primary job and I’m not working on any contract at the moment, I can afford to be somewhat whimsical with my schedule. After all, it is summer, and I’d rather be outside than sitting in my familiar chair pounding away on my keyboard.
While I was outside enjoying the weather, a milestone quietly passed. On July 1, 2012, I began my quest to become a published author. It was then that I first sat down in my chair in the wee hours of a weekday morning and began my daily habit of spending an hour writing. After many years of randomly creating and then abandoning stories like candy wrappers in a post-Halloween binge, I had finally committed myself to some sort of plan – a plan to become a better writer and complete what I started. Here I am five years later, and I’m still going strong.
Over the course of those five years, I’ve written seven novels. While all but one sit in the proverbial desk drawer, each of them is finished in the sense that I have completed at least two drafts, sometimes more. Each has taught me something new about writing because the mistakes I made in them became glaringly obvious as I reviewed them and had others review them. Protagonist is too weak, point-of-view shifts too much, and too much backstory are some examples of the problems I uncovered in my storytelling as a result of writing these novels. The feedback has been invaluable, and with each critical assessment, I tackle the next novel with more knowledge than I had before. That growth is imperative if I ever hope to become a published author.
Many writers tell aspiring authors to “just write,” and that I have done, but I have also worked to hone my craft by reading novels and observing what established writers do. When you’re a writer, you read differently. You notice things that may go unheeded by those simply interested in a good book. For example, I’m currently reading The Reconstructionist by Nick Arvin. It’s a literary novel that slowly reveals an intriguing subplot as the novel progresses. Arvin’s use of the subplot is unique and has me thinking that I can use such a convention in one of the story ideas I have. Stephen King will tell you that you can’t write if you don’t read, and he’s right. Reading is studying your craft.
Reading isn’t the only thing I’ve done to improve. I’ve attended conferences to meet writers and agents and get their feedback on the work I’ve done. This, too, has been tremendously helpful. Steven James’ and Robert Dugoni’s Novel Writing Intensive was one of the best four-day weekends I’ve spent in learning mode. The Pacific Northwest Writer’s Association has also provided endless resources to help me get better. The only complaint I have is that I don’t have enough time to consume everything I’d like to learn. I spend my daily hour writing, and anything beyond that, including learning, is gravy.
Later this week, I will take the next step in the learning part of my journey. I’m attending the first session of The Fifth Semester in Chicago where I’ll spend time with Dr. Ann Garvin and Erin Celello, two experienced authors and teachers. They put on what amounts to a MFA (Master of Fine Arts) boot camp twice per year that starts in Chicago and finishes in New York six months later. This intensive study and feedback session helps authors get on the track to publication. Of course, there are no guarantees, but the learning experience, like the others I have undertaken, should help me take it up a notch, and that can only mean good things when it comes to writing. I’ll share more after the first session.